The texts by Cervantes. Theatre
DOI:
https://doi.org/10.3989/anacervantinos.2010.004Keywords:
Cervantes plays, Textual criticism, Numancia, Trato de Argel, Conquista de Jerusalén, Ocho comedias y ocho entremeses, Antonio de SanchaAbstract
From the textual research into Cervantes plays, absolutely essential to elaborate critical editions which still we lack, a series of results —undoubtedly surprising— can be deduced from this that we will have to bear in mind: as the existence of two editions of the Numancia and the Trato de Argel added as novelty by Antonio de Sancha to his Viage al Parnaso (Madrid, 1784): the use of unequivocally Cervantine expressions in the Conquista de Jerusalén; or the three states and two issues of Ocho comedias y ocho entremeses (Madrid, 1615). There is still a lot to be done about the task of fixing Cervantes dramatic texts.
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