Amor contra interés, hijos contra padres: Las Bodas de Camacho en el siglo XVIII
DOI:
https://doi.org/10.3989/anacervantinos.2006.009Keywords:
Pastoral Comedy, Sentimental Comedy, Enlightenment, Marriage, LoveAbstract
The analysis of the four versions of the episode of Las bodas de Camacho shows, above all, how the figure of Don Quixote ws represented in the Eighteenth century as a mere humorous character. From a metatextual point of view, the dramatization of the episode discloses the growing of a new sensibility related to the independence of affections of the youth when confronted to parental authority. A new conception of marriage started to let its voice be heard, which rejected interest and was founded on love as to indicate an antecedent for the romantic mentality.
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